SPL DeS - De-Esser 500 Series ModuleBack in the 1990's, SPL developed an alternative way to process signals based on phase cancellation in order to reduce sibilance. Unlike traditional compression methods, this procedure is much more unobtrusive and simplifies control to one single parameter. This De Esser quickly became a standard reference among recording studios, broadcast stations and live sound engineers. The Dual Band De Esser expands on this concept by making use of two frequency

ka Microphone Arm

COMPREHENSIVE FADER BANK SECTION

with an ERX you can delay the audio up to 12 frames to match their picture

The Ultra-HDDA mic preamps and line inputs offer 20dB of headroom for distortion-free recordings of percussive

It actually looks at all of the available frequencies in the factory and user defined groups and ranks them so that the user knows the best frequencies to use

This type of capsule has a directional pattern between omni and cardioid

ME 2 lavalier microphone

One subtle but important feature has been included for broadcast applications which use the Model 5152's SDI output(s) "on-air

Reinforced straight copper cable for improved durability with short coiled part for minimum structure born noise with XLR-5 connector

bi-color status indicator

In interview or news-gathering applications it's common to use a single "earpiece" to provide a user with only program-with-interrupt audio

four of which are located on the back panel and four on the front